
Windblown bamboo
Xia Chang
An item at Metropolitan Museum of Art
Bamboo, which bends without breaking, has long been a symbol of integrity and strength. It was also a favorite subject of Ming and Qing scholar-painters. Xia Chang, a native of the Suzhou region, enjoyed a successful official career that led to his appointment as minister of the Court of Imperial Sacrifices in 1457. He expanded Wang Fu's (1362–1416) style of bamboo painting to become the leading bamboo painter of his time, famous even in Korea, Japan, and Southeast Asia. Applying calligraphic techniques to painting according to the precepts established by Zhao Mengfu (1254–1322), Xia Chang executed his bamboo stalks in the archaic seal-script style and his bamboo twigs in the "grass," or cursive-script, style. Xia Chang's calligraphic mode of bamboo painting was followed by many later Ming and Qing painters.
Asian Art
An exhibit at Metropolitan Museum of Art
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.