The Destruction of the Children of Niobe from a set of "The Horses"

The Destruction of the Children of Niobe from a set of "The Horses"

Frans Cleyn

An item at Metropolitan Museum of Art

Image overtakes narrative in this tapestry, which depicts a story about mortals punished for defying the gods; mythology, however, is just a pretext for the dramatically careening horses. In 1619, an entrepreneurial courtier of King James I used royal backing to establish the Mortlake Tapestry Manufactory- where this tapestry was probably made- luring talented refugee weavers from Flanders. This large-scale and ambitious endeavor predated by decades the comparable French royal initiative, Louis XIV's Manufacture Royale des Gobelins. In 1625, under King Charles I, the German, Frans Cleyn was appointed Mortlake's principal designer, creating- amongst others- cartoons for the series of which this tapestry and another in The Met collection (37.85) is part. Called "The Horses", it was woven many times between the mid-1630s and the late seventeenth century, when this tapestry was woven and acquired by the Earl of Peterborough, who customized it with the added inclusion of his coat of arms. By then, Mortlake production was considered by many to be stodgy and dated compared to the brighter, edgier designs coming out of competing workshops in London.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The Destruction of the Children of Niobe from a set of "The Horses"The Destruction of the Children of Niobe from a set of "The Horses"The Destruction of the Children of Niobe from a set of "The Horses"The Destruction of the Children of Niobe from a set of "The Horses"The Destruction of the Children of Niobe from a set of "The Horses"

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.