Robert Fulton (1765–1815)

Jean Antoine Houdon

An item at Metropolitan Museum of Art

This bust depicts one of the last of many Americans to be sculpted by Houdon, the French master portraitist whose earlier images of Washington, Jefferson, and Franklin are embedded in our national consciousness. A painter first and an inventor second, Fulton sat for Houdon while visiting Paris in a fruitless attempt to enlist funding for his submarine invention several years before the ultimately successful Hudson River voyage of his steamship Clermont. The bust appears to have been commissioned by poet and diplomat Joel Barlow, a close friend of Houdon residing in Paris. In this apparently unique model, the handsome subject's air of vigor and informality is emphasized by the insouciance of his flaring overcoat lapels; later, buttoned-up versions of the bust echo the graver quality of Houdon's portrait of Barlow, with which the Fulton portrait originally was paired. A fitting coda to our already stellar collection of Houdon's pre-Revolutionary sculpture, this lively image also differs from the artist's Empire-era portraits of Europeans, which conform to a more severe Neoclassical mode. It may express the aging sculptor's view of the American spirit unfettered by Old World manners.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art