Liturgical cuff (Epimanikion)

Liturgical cuff (Epimanikion)

An item at Metropolitan Museum of Art

The Annunciation was a favored subject for epimanikia, since it lent itself to division across the pair of cuffs (see also 41.100.235). The motif of the angel Gabriel entering on a raft of clouds is borrowed from the art of Western Europe, likely via prints. The inscription in the lower margins recalls the "toil and pains" of the embroider and concludes with the Greek numerals ΑΨΜ for the year 1740.


European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

Liturgical cuff (Epimanikion)Liturgical cuff (Epimanikion)Liturgical cuff (Epimanikion)Liturgical cuff (Epimanikion)Liturgical cuff (Epimanikion)

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.