Hanging Lamp in the Form of a Sandaled Right Foot

Hanging Lamp in the Form of a Sandaled Right Foot

An item at Metropolitan Museum of Art

One of the classical protective images adapted by Christians was the foot, a symbol of good health and healing. These lamps were lit by an oil-soaked wick, inserted through the hole beside the foot’s big toe. Round flat hanging lamps, or polycandela, were lit by oil-filled glass vessels hung from the round holes in their designs. Paul the Silentiary in 563 described the effect of huge hanging lamps that lit the great church of Hagia Sophia in Constantinople: “Thus is everything clothed in beauty…no words are sufficient to describe the illumination in the evening: you might say that some nocturnal sun filled the majestic church with light.”


Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

Hanging Lamp in the Form of a Sandaled Right FootHanging Lamp in the Form of a Sandaled Right FootHanging Lamp in the Form of a Sandaled Right FootHanging Lamp in the Form of a Sandaled Right FootHanging Lamp in the Form of a Sandaled Right Foot

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.