
Doorway from the Church of San Nicolò, San Gemini
An item at Metropolitan Museum of Art
This doorway is an example of the reuse of materials during the life of a single medieval church. All of the marble used to make the doorway originally came from the ruins of nearby Roman buildings. Displaying an array of styles and techniques, the principal elements were carved at different times in the eleventh century. The lions were possibly made for another location and then inserted in the portal. The whole was assembled for the church one to two centuries later. The animal imagery used in decorating the portal may refer to medieval bestiaries, books that combined descriptions of animal life with legend, thereby investing the animals depicted here with symbolic significance.
Medieval Art and The Cloisters
An exhibit at Metropolitan Museum of Art
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.