Jug

An item at Metropolitan Museum of Art

Unlike Spanish and Italian tin-glazed earthenware, English pottery was not produced in a few particular sites, but over the entire country wherever the necessary clay beds existed. Produced in vast numbers for ordinary usage, these wares had little decorative value. For this reason, few examples have survived, and these have been recovered almost exclusively through excavation. The representation of English earthenware on the tables of affluent households, such as that in the Luttrell Psalter, is exceedingly rare. In spite of their commonplace nature, however, these objects can be appreciated for their pleasing profiles and simple, if occasionally careless, decoration. Vessels such as this one, produced during the first half of the sixteenth century and generally referred to as Tudor jugs, were decorated with bands incised by a stylus on the wet clay while the jug was still spinning on the potter’s wheel. The vessel was then fired and given a bright green glaze. These jugs were made not only for pouring but were apparently used for drinking as well. As they resemble certain types of Rhenish stoneware vessels, it is possible that their style was influenced by German or Netherlandish immigrant potters working in Surrey, the probable site of their manufacture.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art