Krishna and Balarama depart Vrindavan

Becharam Das Dutta

An item at Metropolitan Museum of Art

This print depicts the Krishna and his half-brother Balarama departing Vrindavan, the village that served as their childhood home. At a youthful age, Krishna had decided to leave Vrindavan and go to Mathura, his birthplace, to fulfill his mission of killing his evil uncle, the usurper king Kansa. The carriage resembles a temple festival car (ratha), with its architectonic towers, fluttering pennants and solid wood wheels. It is drawn by a pair of horses driven by a Brahmin standing astride the horses. The gopis are distressed at Krishna’s departure, one appearing to have collapsed, another lying prostrate. Prints of this type represent a transitional moment from Kalighat painted watercolor pictures to the new technology offered by the lithographic presses. Here we see the composition printed in black ink and then hand colored with watercolor washes. The inscription names both the artist and his location, at Kalighat.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art