Covered Incense Box (Kōgō) with Tree Peonies

Covered Incense Box (Kōgō) with Tree Peonies

An item at Metropolitan Museum of Art

This box once held incense for use in Buddhist ceremonies. Its round form, with the cover meeting the base at the center of the sides, is derived from Chinese carved lacquers first brought to Japan by Chinese Zen masters welcomed by the shogunate leaders in Kamakura in the fourteenth and early fifteenth centuries. With its large central flower framed by the leafy stalk and branches of a tree peony that seems to burst the bounds of the circular rim, the sharply carved decoration of thsi box exhibits the bold designs that characterize Japanese adaptations of early Ming carved lacquer. Unlike the standard Chinese practice, in which a design was laboriously carved into a thick base of multilayered lacquer, the designs of Kamakura-bori "Kamakura carving" ware were carved directly into the wood base, which was then coated with red lacquer, often over black.

Asian Art

An exhibit at Metropolitan Museum of Art

Covered Incense Box (Kōgō) with Tree PeoniesCovered Incense Box (Kōgō) with Tree PeoniesCovered Incense Box (Kōgō) with Tree PeoniesCovered Incense Box (Kōgō) with Tree PeoniesCovered Incense Box (Kōgō) with Tree Peonies

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.