Woods and Valleys of Mount Yu

Ni Zan

An item at Metropolitan Museum of Art

In 1366, Ni Zan abandoned his home to escape marauding soldiers. Even after the establishment of the Ming dynasty in 1368, Ni continued the life of a wanderer, visiting old haunts that he had not seen for twenty or thirty years. According to his epitaph writer, Zhou Nanlao (1308–1383), "in his late years, he became quieter and more withdrawn than ever. Having lost or given away everything he ever owned, he did his best to forget his worries. Wearing a yellow [Daoist] cap and country clothes, he roamed the lakes and mountains, leading a recluse's life." Woods and Valleys of Mount Yu, executed two years before Ni Zan's death, expresses the painter's contentment in the life of a recluse. The poem ends with the lines: We watch the clouds and daub with our brushes We drink wine and write poems. The joyous feelings of this day Will linger long after we have parted. The dry but tender brushwork is aloof and restrained. There is a tranquil luminous quality about the painting that makes it one of the most fully realized works of the artist's later years.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art