Side Panel from a Sarcophagus

An item at Metropolitan Museum of Art

The headstone of this sarcophagus is embellished with an acting troupe poised to perform on the balcony of a two-story building. The side panels feature narrative scenes illustrating twenty-four stories of filial piety. A very similar set of engraved illustrations was discovered on the sarcophagus of Pan Dechong (1191–1256), who was buried in 1260 on the grounds of the Yongle Palace, a famous Daoist temple located in southwestern Shanxi Province. Pan was a leading member of the Quanzhen sect of northern Daoism, which advocated the importance of filial behavior, so it is not surprising that the Confucian theme of filial paragons was adopted to decorate his sarcophagus. The significance of the theatrical troupe is still unclear. These narrative scenes are a popular manifestation of the subject matter and fine-line drawing style of the scholar-artist Li Gonglin (ca. 1041–1106), particularly his Classic of Filial Piety of around 1085. Li's masterpiece gave contemporary relevance to this canonical Confucian subject through a new expressive style of calligraphic brushwork as well as through the creation of a new set of illustrations that offered subtle commentaries on contemporary political and moral questions. The sarcophagus, which may be dated roughly two hundred years later, shows the widespread impact of Li's thematic concerns and drawing style on popular art forms

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art