Bellflowers (Asagao), from the series Genji in Fashionable Modern Guise (Fūryū yatsushi Genji: Asagao)

Chōbunsai Eishi 鳥文斎栄之

An item at Metropolitan Museum of Art

In this “modernization” of Chapter 20, “Bellflowers,” Genji’s unsuccessful pursuit of Princess Asagao is given an Edo-period setting. The palace interior teems with stylish women, and Genji and Asagao are shown exchanging poems; in the tale, they do so only through intermediaries. The figures, tall and slender with refined features, are characteristic of Chōbunsai Eishi’s prints and paintings. As in other prints from this series of triptychs, the colors are limited, in this case to gray-blue, yellow, and a touch of green. In this respect they conform to the technique of beni-girai, or “avoiding red,” fashionable in the late 1700s.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art