Madhumadhavai Ragini:  Page from a Dispersed Ragamala Series (Garland of Musical Modes)

Madhumadhavai Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes)

An item at Metropolitan Museum of Art

The text of this Ragini tells of peacocks that cry at the threat of rain—here shown in the roiling black horizon and blue lines. Thinking that the peacock’s cry comes from hunger, a lady offers food. The audience would have also understood allusions to Nayikabheda poetry in which the abhisarika nayika (a heroine) travels at night in a storm to meet her lover. The figure type and color palette are distinctly Marwari, while the flattened architecture and color fields are characteristics shared with Malwa painting.


Asian Art

An exhibit at Metropolitan Museum of Art

Madhumadhavai Ragini:  Page from a Dispersed Ragamala Series (Garland of Musical Modes)Madhumadhavai Ragini:  Page from a Dispersed Ragamala Series (Garland of Musical Modes)Madhumadhavai Ragini:  Page from a Dispersed Ragamala Series (Garland of Musical Modes)Madhumadhavai Ragini:  Page from a Dispersed Ragamala Series (Garland of Musical Modes)Madhumadhavai Ragini:  Page from a Dispersed Ragamala Series (Garland of Musical Modes)

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.