Cuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god Enlil

Cuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god Enlil

An item at Metropolitan Museum of Art

The city of Nippur, home to the chief god Enlil, was an important religious center in Mesopotamia. Rulers seeking the favor of Enlil visited the city to make offerings to the god, and contributed to the refurbishment of his temple and ziggurat, known as the Ekur (which means “mountain temple”). Bricks stamped with the inscriptions of different kings, buried during construction projects, give dates to the archaeologically -observable re-buildings of the temple from the end of the third through the early first millennia B.C. This tablet also attests to the refurbishment of the temple. Carved onto stone, the inscription was intended to last for eternity. The name of the donor, Hashmar-galshu, is Kassite, and the inscription is written using the Kassite period preference for archaizing signs and the Sumerian language. Although Hashmar-galshu is not a particularly well-known Kassite figure, he would have been a person of some standing, capable of making such a dedication and writing his name with the divine determinative, a marker usually reserved for deities and rarely adopted by even the most powerful of rulers. Present of Hashmar-galshu. A stone brick for the Ekur for Enlil, his lord.

Ancient Near Eastern Art

An exhibit at Metropolitan Museum of Art

Cuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god EnlilCuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god EnlilCuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god EnlilCuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god EnlilCuneiform tablet: Sumerian dedicatory(?) inscription from Ekur, the temple of the god Enlil

The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.