Cult vessel in the form of a tower with cylinder seal impressions near the top

Cult vessel in the form of a tower with cylinder seal impressions near the top

An item at Metropolitan Museum of Art

This two-story tower is surmounted by a male figure grasping the hindquarters of two lions. A large vessel rests between the felines. A door is cut into the lower facade and a window on the upper floor; circular bosses indicating wooden beams appear at the top of each story. The entire stand is pierced from the vessel at the top through each level, including the bottom, so that liquid libations might be poured in a ritual of some sort. Such an object would have been used in a temple or sanctuary during religious rites. The style is crude in comparison to the delicacy of the multiple cylinder-seal impressions that were made across the top in front of the lions. The Syro-Anatolian seal depicts a seated male figure with a striding male before him dressed in a kilt with arms bent and held out in a gesture of respect and greeting. In between the two is a monkey as a filler motif. Behind the seated figure is a smiting deity wearing a kilt and horned crown. He holds what seem to be the weapons of the weather god—a lightning bolt and sword. The vessel is comparable to other second-millennium tower-shaped examples excavated in Mesopotamia and the Levant and probably was placed on top of an offering stand.


Ancient Near Eastern Art

An exhibit at Metropolitan Museum of Art

Cult vessel in the form of a tower with cylinder seal impressions near the topCult vessel in the form of a tower with cylinder seal impressions near the topCult vessel in the form of a tower with cylinder seal impressions near the topCult vessel in the form of a tower with cylinder seal impressions near the topCult vessel in the form of a tower with cylinder seal impressions near the top

The Met's Department of Ancient Near Eastern Art cares for approximately 7,000 works ranging in date from the eighth millennium B.C. through the centuries just beyond the emergence of Islam in the seventh century A.D. Objects in the collection were created by people in the area that today comprises Iraq, Iran, Turkey, Syria, the Eastern Mediterranean coast, Yemen, and Central Asia. From the art of some of the world's first cities to that of great empires, the department's holdings illustrate the beauty and craftsmanship as well as the profound interconnections, cultural and religious diversity, and lasting legacies that characterize the ancient art of this vast region.