Marble portrait of the emperor Caracalla

An item at Metropolitan Museum of Art

Caracalla took the official name of M. Aurelius Antoninus Pius as part of the Severan dynasty’s attempt to appear as the legitimate and worthy successors of the secondcentury Antonine emperors. Despite this, in his official portraiture, he abandoned the luxuriant hair and beard of his predecessors for a military style characterized by closely cropped curls and a stubble beard. An ancient source records that on his deathbed, his father Septimius Severus advised Caracalla to “enrich the soldiers and despise everyone else.” This finely carved head is a powerful rendering of the official portrait and was probably produced at an imperial workshop, since the statue fragments are said to have been found in Rome. It is from a statue, the legs of which also survive and are displayed in the Study Collection on the Mezzanine Floor.

Greek and Roman Art

An exhibit at Metropolitan Museum of Art

The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.

Metropolitan Museum of Art