
Bronze mirror with a support in the form of a nude girl
An item at Metropolitan Museum of Art
The girl stands on a curled-up lion, and griffins springing from her shoulders help support the mirror disk. She holds a pomegranate in her left hand and is nude except for a necklace and a strap from which hang a crescent-shaped amulet and a ring. Her nudity and the animals that surround her bring to mind images of the Mistress of Animals, an ancient Near Eastern deity who contributed characteristics to two Olympian goddesses, Aphrodite and Artemis. As a mirror handle, the figure may simply evoke the powers of Aphrodite, goddess of love and beauty; alternatively, she might be connected with Artemis Orthia, whose cult was important at the Laconian city of Sparta.
Greek and Roman Art
An exhibit at Metropolitan Museum of Art
The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.