
Terracotta plaque
An item at Metropolitan Museum of Art
Eurykleia washing Odysseus's feet One of the dramatic threads in the account of Odysseus's return to Ithaka is the gradual revelation of his identity. Here, Odysseus appears seated before a columned facade that represents his palace. Before him stand his son, Telemachos, and his wife, Penelope. As the old nurse, Eurykleia, washes Odysseus's feet, she recognizes him from an old scar. Artistic depictions such as this are interesting not only for the illustrative detail that they provide but also for the subjects chosen.
Greek and Roman Art
An exhibit at Metropolitan Museum of Art
The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.