Bronze horse
An item at Metropolitan Museum of Art
The clarity and elegance of form in Greek Geometric art is as effective in three-dimensional sculpture as it is in vase painting. Small-scale bronzes, such as this horse, were produced in workshops throughout the Greek mainland and represent the most innovative sculptural achievements of the period. This solid-cast bronze horse, probably made in Corinth, exemplifies Geometric art at its best. The flat parts of the neck and legs are carefully integrated with the cylindrical muzzle and body of the animal. The base, articulated with triangular patterns suggesting a rocky terrain, further contributes a sense of volume and lends definition to the space occupied by the figure. Decorated base-plates—with perforated or relief geometric patterns—are typical of such statuettes during the later part of the eighth century BCE. This feature served as a stand but might also have been used as some kind of early stamp or seal. All over the Greek world, Geometric bronze horse statuettes as this one have been found at sanctuaries in great quantities, where they were deposited as votive offerings to the gods. Though other animals, and more rarely humans, were also represented, horses largely outnumber all other types of solid cast statuettes. Ownership of horses was a status symbol for aristocrats, who used these animals in warfare and in the competitive sphere of horse and chariot races, often held at sanctuaries.
Greek and Roman Art
An exhibit at Metropolitan Museum of Art
The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.