Couch and footstool with bone carvings and glass inlays

Couch and footstool with bone carvings and glass inlays

An item at Metropolitan Museum of Art

These pieces of furniture have been reassembled from fragments, some of which may come from the imperial villa of Lucius Verus (co-emperor, A.D. 161–169), on the Via Cassia outside Rome. It is not certain that the square glass panels are original to the bed frame and stool, but the carved bone inlays are paralleled on other Roman couches. On the couch legs are friezes of huntsmen, horses, and hounds flanking Ganymede, the handsome Trojan youth who was abducted by Zeus in the guise of an eagle to serve as his wine steward; on the footstool are scenes of winged cupids and leopards; and on the sides of the bed frame, the striking lion protomes have eyes inlaid with glass.

Greek and Roman Art

An exhibit at Metropolitan Museum of Art

Couch and footstool with bone carvings and glass inlaysCouch and footstool with bone carvings and glass inlaysCouch and footstool with bone carvings and glass inlaysCouch and footstool with bone carvings and glass inlaysCouch and footstool with bone carvings and glass inlays

The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.