
Carved amber bow of a fibula (safety pin)
An item at Metropolitan Museum of Art
Couple reclining on a couch, with attendant and bird This work ranks as the most complex carved amber surviving from ancient Italy. Preserved at its base are holes containing traces of an iron pin, indicating that the original object was a fibula. The representation shows a woman and man reclining on a couch. The woman wears a pointed hat, long cloak, and pointed shoes. In her right hand, she holds the base of a small vase, and the fingers of her left touch the mouth of the vase. Her companion is a young, beardless man with a round face. The back view shows his long hair, the modulated folds of his overgarment, and his shoes on the ground. A bird nestles at the shoulders of the couple, and a small attendant stands at their feet. The Morgan Amber was reputedly found at Falconara in Picene territory. The iconography of the reclining couple and ceremonial banquet spread westward from the Ancient Near East through Greece. While numerous details are Etruscan, it is impossible to identify where the artist came from and whether the figures are mortal or divine.
Greek and Roman Art
An exhibit at Metropolitan Museum of Art
The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.