Terracotta loutrophoros (ceremonial vase for water)

Terracotta loutrophoros (ceremonial vase for water)

Darius Painter

An item at Metropolitan Museum of Art

On the body, above, obverse, male deity adjudicating between Persephone and Aphrodite regarding Adonis; reverse, seated youth and woman with three women Below, all around, youth at a stele (grave marker) between youths and women On the shoulder, obverse and reverse, head of a woman On the lid, head of a woman The Tarentine predilection for disciplined yet exuberant embellishment is applied here to an imposing vase with deeply serious iconography. In the primary scene, Persephone and Aphrodite, who both laid claim to the beautiful hunter Adonis, await a judgment from the deity seated between them. He may be interpreted as Zeus or as Hades, ruler of the Underworld. Differing versions of the verdict allowed the hero to divide his time between the goddesses. In the zone below, a youth is isolated between a grave monument and a laver as figures approach from either side. The themes of death and the Underworld are complemented with luxuriant vegetation. The myth of the death and rebirth of Adonis is connected with seasonal change, and the abundant vegetation on this loutrophoros could symbolize rebirth, an appropriate theme for a funeral vase.


Greek and Roman Art

An exhibit at Metropolitan Museum of Art

Terracotta loutrophoros (ceremonial vase for water)Terracotta loutrophoros (ceremonial vase for water)Terracotta loutrophoros (ceremonial vase for water)Terracotta loutrophoros (ceremonial vase for water)Terracotta loutrophoros (ceremonial vase for water)

The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.