Marble stele (grave marker) of Sostratos

An item at Metropolitan Museum of Art

The inscription at the top of the stele informs us that it commemorates Sostratos, the son of Teisandros, of the deme of Paiania (an administrative precinct of Athens). Sostratos is presented as an athlete. In his right hand, he holds a strigil, the metal scraper used to cleanse the skin after it had been rubbed with oil. The slave boy beside him holds the aryballos (oil flask) and carries a garment over left shoulder. The youth's hand touching his head suggests that he may be crowning himself after a victory. The placement of the fingers offers the alternative that the gesture is one of mourning. This theme is continued in the siren just above: she tears her hair and beats her breast—traditional expressions of grief. The sphinxes at each end of the superstructure are guardians of the tomb.

Greek and Roman Art

An exhibit at Metropolitan Museum of Art

The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.

Metropolitan Museum of Art