Terracotta neck-amphora (jar) of Panathenaic shape

Terracotta neck-amphora (jar) of Panathenaic shape

Antimenes Painter

An item at Metropolitan Museum of Art

Obverse, Athena Reverse, boxers Although this vase resembles Panathenaic prize amphorae in shape and decoration, the absence of the inscription from the games at Athens and the smaller size suggest that it was not a prize. The Antimenes Painter is most familiar from standard neck-amphorae showing mythological scenes that have the same sureness as the boxing match here.


Greek and Roman Art

An exhibit at Metropolitan Museum of Art

Terracotta neck-amphora (jar) of Panathenaic shapeTerracotta neck-amphora (jar) of Panathenaic shapeTerracotta neck-amphora (jar) of Panathenaic shapeTerracotta neck-amphora (jar) of Panathenaic shapeTerracotta neck-amphora (jar) of Panathenaic shape

The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.