Terracotta chalice

Terracotta chalice

An item at Metropolitan Museum of Art

The simple elegance of this shape ensured its popularity throughout much of Etruria from about 625 to 500 B.C. The figural friezes were made by pressing a carved cylinder seal into the leather-hard clay before firing. In this case, both are identical and depict seated figures, perhaps members of the nobility, in the company of standing attendants. The subject, its specific meaning unknown, is associated with chalices made at Chiusi.


Greek and Roman Art

An exhibit at Metropolitan Museum of Art

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The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.