
Glass lentoid aryballos (perfume bottle)
An item at Metropolitan Museum of Art
Translucent honey brown, with same color handles and cord; trails and blobs in opaque white. Broad flat rim-disk with rounded edge and radiating tooling marks on upper surface; slender cylindrical neck, tapering downwards; sloping shoulder; globular lentoid body; convex bottom; two large vertical ring handles attached to shoulder. A trail attached at edge of rim-disk; a circular marvered blob applied to both faces of body; a large cord, twisted together with a white trail, attached under handles runs down sides and across bottom. Broken and repaired, with large chip in one side of body; some pitting, large patches of milky white weathering and iridescence. Together with the other two similar aryballoi displayed here (17.194.309 and 30.115.7), this bottle belongs to a small group of core-formed glass that may have been made in southern Italy, Sicily, or even Carthage. It has also been suggested that these bottles may have been worn as amuletic pendants around the neck.
Greek and Roman Art
An exhibit at Metropolitan Museum of Art
The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.