Limestone funerary stele (shaft) with a "Cypriot capital"

An item at Metropolitan Museum of Art

Rectangular shafts topped by capitals such as this were carved on Cyprus from the seventh through the fifth centuries B.C. Most come from Golgoi or Idalion. The capital is composed of several motifs that were well known in the eastern Mediterranean world. An Aeolic capital, marked by two volutes emerging from a triangular base, serves as support for two pairs of curving fronds between which rises a "tree of life" flanked by sphinxes. The Aeolic-style capital derived from floral motifs that go back in date to the Bronze Age. The earliest known stone capitals of this type date to the tenth to ninth century B.C. and were found in Palestine. They were apparently influenced by Phoenician examples, and it may well have been the Phoenicians who brought the motif to Cyprus. The symmetrical, stylized "tree of life" motif also originated in the Bronze Age and was used in a wide variety of media throughout the eastern Mediterranean area. Both motifs have connotations of fertility and the renovation of nature.

Greek and Roman Art

An exhibit at Metropolitan Museum of Art

The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.

Metropolitan Museum of Art