Limestone sarcophagus: the Amathus sarcophagus

Limestone sarcophagus: the Amathus sarcophagus

An item at Metropolitan Museum of Art

The Amathus sarcophagus is arguably the single most important object in the Cesnola Collection and unique among ancient Cypriot sculptures in its monumentality and in the preservation of its polychromy. The primary scenes on the long sides show a procession of chariots escorted by attendants on horseback and followed by foot soldiers. The main personage is probably the driver, who is standing under a parasol in the first chariot. His horses, as the others, are richly caparisoned; his chariot resembles the others also, except that the wheel has fewer spokes. The decoration of the short ends consists of a row of Astarte figures, nude except for their double necklaces and ear caps, and a row of Bes figures. The choice of these two deities, one Near Eastern, the other Egyptian, suggests the importance of procreation to the deceased. The figural panels are framed by a variety of vegetal ornaments, while the gabled lid once featured a pair of sphinxes and a palmette at each end. The sarcophagus probably belonged to one of the kings of Amathus. The procession scenes provide a glimpse into his world. The iconography as a whole, moreover, documents the thorough integration of Greek, Cypriot, and Oriental features in works of high quality at the middle fifth century B.C.


Greek and Roman Art

An exhibit at Metropolitan Museum of Art

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The Museum's collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans.