
Le Trait d’Union
Jean-Baptiste Carpeaux
An item at Metropolitan Museum of Art
The term trait d’union is French for hyphen, the sign linking the parts of a compound word. Here it poetically signifies the familial ties that were renewed when Carpeaux and his wife reconciled after their little son Charles recovered from terrifying convulsions. Amélie is on Carpeaux’s lap. Charles binds their heads in an embrace. The reconciliation was brief and Carpeaux himself was soon jealous all over again and already desperately sick.
European Sculpture and Decorative Arts
An exhibit at Metropolitan Museum of Art
The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.