
Model for the so-called "Female Saint of Starnberg"
Ignaz Günther
An item at Metropolitan Museum of Art
The celebrated eighteenth-century Munich court sculptor Ignaz Günther carved this mesmerizing statuette. It is a "bozetto," or working model, for the nearly lifesize sculpture of the so-called "Female Saint of Starnberg," whose haunting composition was widely considered to be one of the artist's most innovative and poignant figural inventions. Günther captured the principal forms and volumes and the essential elements of the composition in his 'bozetto" in the same way a painter would use a sketch. Though the model's surface is still angular and the detailing is uneven, its elegance and courtly gesture presage its transformation into a large figure. The seductive twisting of the saint's body, her theatrically animated costume rippling in an imaginary breeze, and the play of light and shadow contrast dramatically with the aura of restrained ecstasy. Whimsical sculptural accents such as the coiffure reflect Günther's superior command of the medium. He has transformed the wood material into a précis of heavenly lightness more befitting a ballerina than a female saint. His naturalistic rendering reflects the spirit of South German Rococo at its very best.
European Sculpture and Decorative Arts
An exhibit at Metropolitan Museum of Art
The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.