Piece

An item at Metropolitan Museum of Art

Floral velvets like this one are often referred to as jardinière velvets, using the French word for garden in reference to their bold, symmetrical floral patterns, or Genoa velvets, referring to the city where they were first produced. It is difficult to date this type of velvet precisely, as it was fashionable for formal interiors over a period of many years. The same type of design-large flowers and scrolling leaves symmetrically arranged to cover the entire width of a textile-also appears in monochrome damasks of the period. Velvet is distinguished from other flat textiles by its pile weave. This texture was created by an extra warp, in addition to the warp necessary for the background of the fabric. The pile warps were passed over small rods to create the loops of the pile. A polychrome velvet required as many extra sets of warps as it had colors in the pile, in this case four colors of velvet pile on a white satin background. Jardinière velvets usually had a combination of cut and uncut loops, giving further texture to the design. In this example, the combination of cut and uncut velvet on a smooth satin surface gives it an especially rich character, as all of the surfaces reflect the light differently.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art