White and Polychrome Brocaded Damask

White and Polychrome Brocaded Damask

An item at Metropolitan Museum of Art

In a fine example of brocaded damask, talented weavers set polychrome motifs inspired by Persian designs- vases of stylized carnations, and pairs of birds- within a cream-colored ground whose elegant design is subtly articulated by the mat and glossy surfaces of the damask. The current assemblage, probably created by dealers in the early twentieth century to make a more saleable object, neatly combines as many as ten patches, their seams cleverly disguised. The current object has been made to resemble the reverse of a Christian priest's tabard-like chasuble garment, although details of the shaping, especially at the 'shoulders', and its narrow size reveal that this would never actually have functioned as such. Other examples of this textile's distinctive white and polychrome design survive in The Met's collection (46.156.143) and in European collections, in Paris (Musée des Arts Décoratifs) and San Gimignano (Museo d'Arte Sacra).


European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

White and Polychrome Brocaded DamaskWhite and Polychrome Brocaded DamaskWhite and Polychrome Brocaded DamaskWhite and Polychrome Brocaded DamaskWhite and Polychrome Brocaded Damask

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.