Marsyas

Balthasar Permoser

An item at Metropolitan Museum of Art

Flayed alive after losing a musical contest to the god Apollo, the satyr Marsyas screams in the midst of his torture. Every aspect of the figure, from squinting eyes to torn tongue and flamelike hair, contributes to this image of torment. Early in his career, the sculptor Permoser worked in Florence, where this bust likely was carved. It is his personal response to Gianlorenzo Bernini's dramatic style, especially the Damned Soul of about 1619 (Palazzo di Spagna, Rome). While important sculptures by Pietro and Gianlorenzo Bernini are represented in the Museum's collection, Marsyas is our first work by Permoser, who helped to transmit the Italian Baroque style to Germany when he returned to his native Dresden.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art