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Lucien Falize

An item at Metropolitan Museum of Art

Made by the illustrious Parisian firm Falize, this trilobed box is decorated in the Persian taste with flowers and foliage enameled in deep red, green, dark and turquoise blue, and yellow on a white ground. The gold-rimmed lid is decorated with ogee-shaped lappets on a matte ground and edged with beading that recalls the eighteenth-century French tradition of finely crafted gold boxes. Alexis Falize (1811–1898) began his career as an anonymous supplier of jewelry to retailers such as Boucheron and Tiffany's. Falize's firm, founded in 1838, followed the nineteenth-century fashion for the various revival styles as well as drawing inspiration from Near Eastern and Japanese sources. In 1867, Falize exhibited Japanese-inspired enameled jewelry to great success at the Exposition Universelle, Paris. Falize's son Lucien (1839–1897), who was one of the first to apply plant forms to jewelry design, foreshadowing the Art Nouveau style, continued his father's business. The firm's impressive displays at the 1878 and 1889 Expositions Universelles received great international acclaim. Throughout the second half of the century, Falize collaborated with such artists as the enameller Antoine Tard, Germain Bapst, Emmanuel Fremiet, and Albert-Ernest Carrier-Belleuse.


European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

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The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.