Jacques-Bénigne Bossuet (1627–1704)

Sèvres Manufactory

An item at Metropolitan Museum of Art

In 1779 Pajou exhibited a marble statue of Bossuet executed as part of a series by numerous sculptors of portraits of twenty-seven "Great Men" of France. Three years later the comte d'Angivillers, director of the Batiments du Roi, who had initiated the program on behalf of Louis XVI, instigated the production at Sevres of small-scale versions of these statues in the hope of attracting a wider market. This figure of Bossuet, cast from Pajou's own reduction of his marble, is one of twelve known Sevres models from the series. Bossuet was the preeminent churchman of his time, renowned as an orator of exceptional power. Pajou portrays him as bishop of Meaux, the See to which he was appointed in I68i. Richly dressed in lace and fur, he is shown standing, with commanding expression and gesture, the folds of his cape cascading to a tumbled hem. D'Angivillers's plan for the portraits called for both standing and seated figures, which offered variety in pose and rhythm. The Museum has long owned a Sevres example of Clodion's model of the seated Montesquieu (05.11); with this figure of Bossuet we can now suggest the intended effect of the series.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art