Self Portrait

Self Portrait

Philippe Laurent Roland

An item at Metropolitan Museum of Art

Neither signed nor dated, this marble bust of a man with a bare chest is a self-portrait of the Neoclassical sculptor Philippe-Laurent Roland. The subject’s profile matches that in a medallion of Roland executed by his pupil Pierre-Jean David d’Angers (1788–1856). Furthermore, the bust remained in the possession of members of the Roland family. Dating to about 1785, when the sculptor was nearly forty years of age and at the height of his powers, the portrait, though austere, shows a lean man with intelligent, well-knit features and a direct gaze. David d’Angers, who wrote a biography of his teacher, remembered Roland as a man of average height and with a high-strung disposition: His "ruddy complexion revealed a sanguine character but with a predominantly nervous aspect. . . . His eyes were lively and penetrating like those of an artist. His mouth was large but well delineated. Like people occupied with serious matters, he spoke little. In his social relations he showed a dignified reserve and loyal sincerity which heightened his great austerity of principle." Roland had been a student of Augustin Pajou (1730–1809), a strong influence, who encouraged him to specialize in marble carving. As a portraitist, Roland is admired for the naturalistic, sympathetic rendering of his subjects in an advanced Neoclassical style, as is evident in the Museum’s self-portrait.


European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

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The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.