Chalice à soleil

An item at Metropolitan Museum of Art

This chalice, made in the early French Renaissance, is decorated with motifs that derived from the late medieval period: wavy sun rays on the bowl and dome of the foot, which evoke the meditation on the Sacred Monogram as preached by Saint Bernardin of Siena (d. 1444). These lively features are joined by others taken from the more static repertoire of classical ornament derived from Roman architecture: a stem formed as a fluted column, the flutes alternately channeled; beading at the junction of stem and foot; acanthus on the upper and lower poles of the knop; and a wreath encircling the step of the foot. Fleurs-de-lis, emblems of the French crown, are found here as also on other French liturgical objects of the sixteenth century and may refer to the control over the church in France won by Francis I from Pope Leo X by the Concordat of Bologna in 1515. A shield-shaped frame on the foot encloses an insert engraved with the arms, episcopal hat, and angelic supporters of Bishop Fabio Mirto Frangipani. He was papal nuncio to the court of Charles IX from 1568 to 1572 and again in 1586. This plaque replaces an earlier insert, which may have been engraved with the arms of the previous owner.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art