Spring in the guise of Flora (one of a pair)

Pietro Bernini

An item at Metropolitan Museum of Art

The two terms were made in 1616 by Pietro Bernini (1562–1629) with the assistance of his more famous son, the sculptor Gian Lorenzo Bernini (1598–1680), for Cardinal Scipione Borghese. Each consisting of a half-body merging into a tapering pedestal, they originally stood in the gardens of the Villa Borghese in Rome, at the entrance to the cardinal's Vigna di Porta Pinciana. Appropriately laden with fruits and flowers, the Flora and Priapus (see 1990.53.2), carved in an energetic, rustic fashion, symbolize the abundance of nature in spring and autumn.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art