Advertisement for Muller Stoneware Manufactory
Alexandre-Louis-Marie Charpentier
An item at Metropolitan Museum of Art
Toward the close of the nineteenth century, the humble medium of stoneware—grès in French—won the attention of sculptors because of its earthy honesty and its capacity for reproducing the subtlest contours. The trade in stoneware sculptures grew so promising that the large firm of Emile Muller chose to advertise them along with the tiles and moldings for which it was known. This relief has chunks of masonry plaster on its back and must have been walled-in, possibly in Muller's showroom, as a sort of three-dimensional poster. In turning to Charpentier, the firm obtained the services of the most gifted anatomist among Art Nouveau sculptors. The olive-hued relief shows a remarkable tension between the tousled, sinewy youth and the bands of lettering. The boy holds a bulky tile while proffering a Phidian statuette of Athena, a fine expression of the union of art and industrial design that was beginning to be advanced as an ideal. Charpentier disseminated the design in bronze plaquettes, the art form for which he is usually remembered. The plaquette in the Museum's collection (03.7.26) is but a pale reflection, showing little of the virile presence of the larger invention.
European Sculpture and Decorative Arts
An exhibit at Metropolitan Museum of Art
The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.