Bottle

An item at Metropolitan Museum of Art

No better evidence of familiarity with European glass in China need be sought beyond Emperor K’ang His’s own statement that during his reign "we learned in a short time to make glassware that is superior to that made in the West." This bottle, Eastern in shape but Venetian in decorative style, must ow itse existence to this familiarity. It is a remarkable translation into the porcelain medium of the sixteenth-century vetro a fili technique: the incorporation into a clear glass matrix of blown rods—usually white, but sometimes colored—to produce a pattern of vertical or spiraling stripes. The bottle is one of only three known models of export porcelain that evoke glass techniques, but it would not have been copied directly from an Italian example since the shape does not occur until later. Venetian glass was widely imitated in northern Europe in the seventeenth century, and the bottle could have been copied from a Dutch glass adaptation of a Venetian model. It could also, however, derive from a version in Delft faïence.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art