
Wine Cup on a High Foot (Tazza)
An item at Metropolitan Museum of Art
The broad, shallow bowl of this wine cup is a borrowing into silver design of a Venetian glass form popular in the second half of the sixteenth century. Many glass examples survive, and we also know of their use from Italian paintings, in which typically a dimpled ground in the bowl served to enhance the sparkling, light-filled character of the wine. Cruising serenely through little wavelets, the swan at the center of this bowl is an emblem of the Vintners' Corporation, the guild for men active in the wine trade whose responsibilities included monitoring conditions on the docks and securing honest trading. The Vintners' Corporation, one of the earliest guilds, received a charter in 1364. The four marks which seem to disfigure the side of the cup are in fact hallmarks, struck at the Hall of the Goldsmiths' Company, which regulated gold- and silversmiths and guaranteed the quality of the sterling stand and metal. The marks indicate year and place of manufacture as well as the maker or his workshop. The maker's mark on this tazza has not been identified.
European Sculpture and Decorative Arts
An exhibit at Metropolitan Museum of Art
The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.