Portrait of Antonio Canova (1757–1822)

Francesco Putinati

An item at Metropolitan Museum of Art

Antonio Canova (1757–1822) is considered the greatest Neoclassical sculptor of the late eighteenth and early nineteenth centuries. Along with the painter Jacques Louis David, he was credited with ushering in a new aesthetic of clear, regularized form and calm repose inspired by classical antiquities. He was also renowned for his carving abilities and the refinement of his marble surfaces, which seemed as supple as real flesh. At his death, commemorations were held in Rome, Venice, and Possagno, and he was widely mourned and honored across Europe. The degree of his fame can be measured by the treatment of his corpse, as if it were a saintly relic. Although his body was entombed in the Tempio in Possagno, his hand was preserved at the Accademia di Belle Arti, Venice, and his heart placed in a tomb built by Neoclassical sculptors based on his own design in Santa Maria Gloriosa dei Frari (see also 67.219.1).

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art