Chryseis with an attendant bearing presents, praying to Menelaus to restore his daughter

Chryseis with an attendant bearing presents, praying to Menelaus to restore his daughter

An item at Metropolitan Museum of Art

The intaglio is a fake, one of six in the Museum's collection, similar in style to those supplied by Italian Neoclassical engravers to Prince Stanislaw Poniatowski of Poland. Carried out in a figural style indebted to that of Antonio Canova, the Poniatowski gems bear the names of the carvers most celebrated in ancient Greece. The deception of the Poniatowski gems was revealed in 1895. The Museum's six were mounted in velvet boxes by Tiffany & Co.


European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

Chryseis with an attendant bearing presents, praying to Menelaus to restore his daughterChryseis with an attendant bearing presents, praying to Menelaus to restore his daughterChryseis with an attendant bearing presents, praying to Menelaus to restore his daughterChryseis with an attendant bearing presents, praying to Menelaus to restore his daughterChryseis with an attendant bearing presents, praying to Menelaus to restore his daughter

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.