Figure personifying a spring

Guillaume Dupré

An item at Metropolitan Museum of Art

This polychrome-glazed earthenware "gondola" cup was probably modeled by Guillaume Dupré, following the sculptural style of Bernard Palissy. The design and spirit of the "gondola," a contemporary term for this ceramic type of a woman in a bath, suggest it was intended to be decorative rather than utilitarian. Employing Palissy's saturated color glazes, textured waves, and shell-like lobes, the piece also hints at the erotic nature of court art through its high-relief rendering of the nude female figure. The partly submerged woman personifying a spring was a popular theme at the court of Fontainebleau, itself named after a local water source, which numerous potters imitating Palissy's style in the nearby village of Avon frequently employed. Palissy himself, known principally for his innovative rustic ceramics, demonstrated an interest in this motif through his numerous works bearing representations of water. In the first decades of the seventeenth century, "gondola" cups were also made in silver, silver gilt, amber, crystal, enamel, and natural shell.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art