Commode

Pierre Antoine Foullet

An item at Metropolitan Museum of Art

Son of the French cabinetmaker Antoine Foullet, who was specialized in the creation of clock cases, Pierre Antoine is best-known for his output of chests of drawers (commodes) executed in a transitional style. Even though the breakfront shape and the two drawers sans traverse (without a shelf in between) decorated with a central medallion are characteristic for his work, this particular example is smaller than most of Foullet’s commodes. While the curving cabriole legs and serpentine outline of the chest of drawers still show lingering influence of the Rococo style, the medallions, pendent musical trophies, and gilt-bronze mounts are clearly Neoclassical in nature. Since as a cabinetmaker, Foullet was not allowed to cast and chase the bronzes for his furniture, he must have collaborated closely with a member of the metalworkers’ guild since the outline of the apron mounts and the laurel-leaf and bow-knotted ribbon frames of the medallions are precisely outlined in the veneer. Typical for Foullet’s work is also the meticulous marquetry that he is thought to have executed himself given the fact that the marquetry of a secrétaire in the Wallace Collection, London, bears his signature.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art