
Double salt or pepper box
Edme-Pierre Balzac
An item at Metropolitan Museum of Art
By the late 17th century, salt, which had been contained in extraordinarily ornate receptacles during the medieval and renaissance periods, had lost its prior ceremonial significance. Changes in custom and dining practices led to spice and condiments being used at a diner’s discretion. New, much smaller, forms developed during the eighteenth century. Salt or pepper boxes were generally made in sets so that each diner could have one within easy reach. . It is uncertain which spices were contained in these receptacles, although the two hinged scallop-shell covers and the scallop-shell motif on the base may allude to the marine origins of salt. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver as illustrated by these salt and pepper boxes.
European Sculpture and Decorative Arts
An exhibit at Metropolitan Museum of Art
The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.