Head of Hercules

An item at Metropolitan Museum of Art

The head of Hercules framed in a helmet formed by the open jaws of the Nemean lion, the dead beast’s paws tied around his neck, was a staple of Neoclassical glyptics inspired by ancient gems and coins (see also 40.20.37). Within the format endless variations could appear. Both this carving and 40.20.48 have three strata. The anonymous carver, who chose a stone so fiery it has even been wrongly said to be artificially colored, manipulated the pale middle layer to limn the blunt profile, offset between the reds of the ground and top layers. Maria Elisa Pistrucci worked closely from a composition by her father (art market, Rome, 2007), who invented a younger, more lyrical type of Hercules. The dappled brown stone she selected produced, simultaneously, greater legibility and greater subtlety. The lion skin emerges clearly from the dark top layer, all the facial features were excavated from the middle white layer, and irregularities in the translucent bottom layer provide an appealing foil.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art