Sanctuary lamp (Cesendello)

Sanctuary lamp (Cesendello)

An item at Metropolitan Museum of Art

This type of hanging lamp, known as a cesendello, was a common element in bronze chandeliers known as polychandelons in Roman and Byzantine times and later became popular in both Venice and the Islamic world as larger individual lamps. Extraordinarily delicate, few cesendelli from the Renaissance period survive. The Christian subject matter—the Annunciation to the Virgin Mary—represented in the roundels of this example confirms its patron was from Venice rather than the Islamic world. This lamp would have been suspended with chains, filled with oil and a wick, when lit casting marvelous shadows on the church walls and floor. The Annunciate Virgin and Angel Gabriel are finely rendered in difficult enamel paint, applied between firings. Busts of Saints Peter and Paul suggest this might once have been part of a group of six, depicting the twelve apostles.


European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

Sanctuary lamp (Cesendello)Sanctuary lamp (Cesendello)Sanctuary lamp (Cesendello)Sanctuary lamp (Cesendello)Sanctuary lamp (Cesendello)

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.