
Ecce Homo (one of a pair)
Sebald Beham
An item at Metropolitan Museum of Art
As the Roman governor Pontius Pilate led Christ before a crowd of hostile onlookers, he demanded that they “behold the man,” or ecce homo, before he was crucified. The vibrant red and green used in this composition were created by adding metallic oxides to molten glass, which was later fused in thin layers to the transparent base glass and etched with acid to create detail. Other parts of the image, like the fabric folds and faces, were applied with black or brown vitreous paint.
European Sculpture and Decorative Arts
An exhibit at Metropolitan Museum of Art
The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.