Bacchante with lowered eyes

Jean-Baptiste Carpeaux

An item at Metropolitan Museum of Art

Commissioned by the architect Charles Garnier for the facade of the Paris Opéra, Carpeaux's monumental decorative sculpture La Danse was unveiled on July 26, 1869. The figural group, consisting of a slim central youth shaking a tambourine, with a putto at his feet and encircled by six joyously dancing bacchantes, quickly became the talk of Paris for its frank sensuality and unidealized female nudes. Nearly as shocking was the act of vandalism to which the sculpture was subjected when, during the night of August 27, 1869, a bottle of ink was hurled at it, staining the left front bacchante. Despite its controversial reception, La Danse (now in the Musée d'Orsay, Paris) is regarded by many as the artist's masterpiece. Although unused in the end, this terracotta bust of a maiden with vine leaves twined in her hair was one of Carpeaux's studies for the final work. Carpeaux probably modeled this version with the intent of replicating it in an edition of cast terracottas.

European Sculpture and Decorative Arts

An exhibit at Metropolitan Museum of Art

The fifty thousand objects in the Museum's comprehensive and historically important collection of European sculpture and decorative arts reflect the development of a number of art forms in Western European countries from the early fifteenth through the early twentieth century. The holdings include sculpture in many sizes and media, woodwork and furniture, ceramics and glass, metalwork and jewelry, horological and mathematical instruments, and tapestries and textiles. Ceramics made in Asia for export to European markets and sculpture and decorative arts produced in Latin America during this period are also included among these works.

Metropolitan Museum of Art